Editor’s note: This fall some changes are coming to the HMNS Hall of Ancient Egypt. Some artifacts will leave and others are coming in on new loans. As we prepare for this, NYU third-year art conservation student Kate Brugioni will take us through the restoration process for ancient artifacts.
When you walk around the Hall of Ancient Egypt, you see some pretty old stuff — actually some really old stuff. We’re talking thousands of years here, folks. But have you ever wondered how everything stays in top condition?
Well that’s my job (rather, summer internship, but it will be my job soon)!
I’m Kate Brugioni, rising third-year art conservation student at the Conservation Center, Institute of Fine Arts at NYU. My education combines a study of art history, archaeology, museology and science. After completing this rigorous four-year program, I will graduate with a Master’s degree in Art History and an Advanced Certificate in Conservation.
As a student with a particular interest in painted wood surfaces, I am excited to be treating the Carlos Museum‘s polychrome-wood coffin lid, dated to the 22nd–24th dynasties of Ancient Egypt (943–720 BCE). More than 500 hours of documentation, study, and treatment will be completed over the course of this project, and I would like to share something of the sense of excitement and discovery this opportunity has brought me.
One of the most striking features of this anthropoid coffin lid is the ancient wood, largely left uncovered to showcase its fine texture; the painted wsh (“broad”) collar; and offertory inscription down the center. Of special interest are the features original to the coffin construction, such as dowels, mortise and tenon structures, an ochre-colored preparation layer and painted decoration. Over the course of treatment, these will be carefully documented, cleaned and stabilized.
Although the arid Egyptian climate preserved much of the wood substrate, diffuse fungal deterioration, abrasion, and flaking has affected the structure and appearance of the coffin lid. Additionally, a number of invasive “restoration” campaigns has damaged the ancient surface and structure.
The important second step of this project will be to locate and characterize these restoration materials, and deciding how they could be best reversed, where appropriate.
Thank you for reading, and please stay tuned to this blog for up-to-date information about our findings over the course of treatment.
Oh, and one more thing! I would like to thank the Houston Museum of Natural Science for so generously supporting my summer internship at the Parsons Conservation Laboratory at the Michael C. Carlos Museum at Emory University, where I am preparing an ancient Egyptian coffin lid for long-term loan to the Hall of Ancient Egypt at HMNS.