Join HMNS at the Bridal Extravaganza Show this weekend to talk weddings with a twist

Do you love the Houston Museum of Natural Science? Well, why don’t you just get married in it?

HMNS has played host to an array of gorgeous and decidedly different weddings, whether among the jewels of our Cullen Hall of Gems and Minerals, surrounded by butterflies in our Cockrell Butterfly Center, or under the stars of our Burke Baker Planetarium.

Weddings at HMNSOur paleontology hall has already been the site of stunning nuptials.

If you’re planning a wedding or involved in someone else’s planning, join us at the The Bridal Extravaganza Show this weekend at the George R. Brown Convention Center to learn more about HMNS’ spectacular spaces and meet our lovely event staff, who are here to help every step of the way.

My fiance loves me this much!Weddings at HMNS feature access to our totally unique permanent venues and an on-call, in-house wedding manager.

Our full-service caterers can handle any detail, from valet and decor to securing entertainment. And best of all, our exhibit halls serve as a stunning natural backdrop to any affair and ensure an experience your guests won’t soon forget.

Whether you’re planning an intimate ceremony or a major bash, HMNS can accommodate you. We are able to host up to 2,000 guests for a cocktail reception or dial it down to create something cozy.

Fair warning: the T. rex is a crier.

And by the way, Bridal Extravaganza Show attendees that visit the HMNS table will receive a collection of these darling bridal postcards — and other goodies, too.

The bridal party is ready.

What: Houston Bridal Extravaganza Show
Where: The George R. Brown Convention Center, 1001 Avenida De Las Americas
When: Saturday, July 21 – 10 a.m. to 5 p.m. and Sunday, July 22 – 11 a.m. to 5 p.m.

For more information about having your wedding at HMNS, contact specialevents@hmns.org or visit http://bit.ly/hmnsweddings.

Mixers remixed: Introducing LaB 5555, our new after-hours, adults-only scientific shindig

Missing Mixers & Elixirs? Well, we’ve given it a makeover. It’s gotten in shape, revamped its wardrobe, learned to two-step and is a brand new event: LaB 5555.

Our new after-hours, adults-only scientific shindig launches this Friday and we want you there geeking responsibly right along with us.

LaB_250x353

LaB 5555 will have the same cash bars and awesome live entertainment as Mixers did, but it’s committed to bringing you scintillating science, food truck fare and local entertainment all year long. Each month is centered around a scientific theme, with the launch being all about Skin & Bones. Attendees will hear about the highlights of our new Hall of Paleontology in the Grand Hall and have access to tour the new paleo exhibit throughout the night.

Highlights include classy yet sassy music by string quartet/DJ ensemble Collide; food from It’s a Wrap, Big Happy’s Ice Cream & Treats, Pi Pizza and Luchi & Joey’s; cash bars and a sweet giveaway for the first 200 smarty pants to show up.

And you’ll want to get here early. Get your learn on in the Grand Hall from 8 to 9 p.m. before you get your drink on and hear straight from our staff about the skin and bones in our new paleontology hall that have everyone talking.

Here are the deets:

WHAT: LaB 5555 launch
WHEN: Friday, June 22 from 8 to 11 p.m.
WHERE: The Houston Museum of Natural Science main campus at 5555 Hermann Park Dr.

Click here for tickets: $20 for the general public; $12 for members. Tickets grant attendees access to the new Hall of Paleontology throughout the night, live entertainment and free planetarium showings of Dark Side of the Moon and Led Zeppelin at 8:15, 9:15 and 9:45 p.m. Click here for a full schedule of events.

On Happy Puppies, “Bugs” and Honorary Dinos: A statement by Dr. Robert T. Bakker

When I was a lowly freshman hanging around the Yale Peabody Museum, one mind-opening surprise was the unrestrained joy of paleontological language. I’d been a dino-geek since the fourth grade. I knew a dozen duck-billed dinosaurs by name — their technical names.  I’d met Corythosaurus casuararius and Saurolophus osborni face-to-face in the exhibit halls of the New York museum.

But real-life paleontologists in the Yale lab addressed their favorite fossils as if they were family pets. The great Tyrannosaurus rex had been known as “that big bug” since 1909. The Montana canyon where the finest rex had been dug was “Bug Creek.”  And the whole slice of geological time recorded by the rocks there had become the “Bug Creekian Age.”

buggy blogOur esteemed Curator of Paleontology, Dr. Robert T. Bakker

The term “bug” was a term of paleontological endearment. Tiny, microscopic fossils were “bugs.” The paleo folks squinting down their microscopes searching for single-celled fossils said they were searching for “my beloved Early Paleocene bugs.” Field expeditions looking for tiny Jurassic mammals spoke of “furry bug jaws,” a.k.a. the dentigerous rami from Paurodon, Docodon, and Ctenacodon.

Gigantic species, too, were encompassed by the affectionate buggy label.

Trilobite specialists — and I have met many — always smiled when they showed us students an especially ornate Devonian phacopidan: ”Check out this elegant bug,” they’d say. Trilobites with smooth, streamlined shells — adaptations for burrowing through the sediment — invariably were “mud-bugs.”

buggy blogA trilobite or “dino-bug,” as they are affectionately called in the paleontological community.

“Puppy” was popular for Mammalia of gargantuan sizes. The immense, multi-ton Eobasileus cornutus, an herbivore with six horns and giant saber-teeth, was “that bumpy-headed puppy.”  Even cold-blooded Amphibia could enter that category.  When we moved a cast replica of the Triassic Mastodonsaurus, with its yard-long skull, we were cautioned to be especially careful with that “monstrous puppy.”

The term “Dinosaur” was an honorific as well as a narrowly defined taxonomic category. Any fossil that evoked the mystery of the Deep Past could be an “honorary dinosaur.” Mastodons and mammoths, saber-toothed cats and fin-backed Dimetrodons were all included in the “dinosaur exhibit.” Trilobites, because they were so captivating, were honorary “dinosaur-bugs.”

The labels in our new HMNS fossil hall follow the paleontological tradition of using both technical and affectionate terms. The free app, which be available soon, will give even more scientific data, plus stories from the scientists. Our superb skeleton of an Early Permian lake amphibian is labeled as an Early Permian archegosaurid. But it also goes by the nickname bestowed by the collection-management crew when the crate was opened — “Happy Puppy.”

The breathtaking sea reptile with seven unborn embryos is described in the signage as “Stenopterygius from the Toarcian Age of the Early Jurassic.”  And also as “Jurassic Mom.”

Our HMNS trilobite display is among the very best in the world. All our many trilobites are identified by genus and species, family and geological age. There’s a compact but precise scientific family tree of all trilobites, showing their Darwinian booms and the puzzling busts of extinction. But, since we are very fond of every single trilobite specimen, we are are quite happy to call them “bugs,” too.

The only way to experience the joy of paleo-nomenclature in all its multi-levels is to visit our hall, stroll past the petrified bugs, puppies and mini-monsters, and thereby absorb the wonder of the Deep Past.

Weird (Careers in) Science: Scientific Illustrator Julius Csotonyi finds inspiration in his own backyard

It’s time for another installment of Weird (Careers in) Science!

Today, we’d like to introduce you to a life-long artist who found a way to pair his interest in art with a fascination with all things scientific. How? Let’s find out.

Meet Julius T. Csotonyi. With degrees in biology, microbiology and ecology, Csotonyi found his way back to his love of visual art when he began using his scientific background to create commercial illustrations. Little by little, through word of mouth and his work for various institutions (including Alberta, Canada’s Royal Tyrell Museum), Csotonyi found himself with an unexpected career.

Using personal photographs of landscapes from around the globe, his own imagination and a dash of ingenuity, Csotonyi creates life-like reenactments of prehistoric scenes, rife with drama and vividly executed.

Where most artists have the luxury of live models, Csotonyi has to rely on scientific evidence to stay true to forms that are long-extinct. And although much of his process involves in-depth consultations with paleontologists to ensure accuracy, Csotonyi looks to the modern world for inspiration.

One spot of inspiration can be found in the artist’s dog, a Corgi/Jack Russell mix called Wiki. Using digital layering, Csotonyi has used Wiki’s fur as the basis for the fur of large mammals he draws, and Wiki’s postures as inspiration, too!

wiki + dide
Julius’ mural of Didelphodon was inspired, in part, by the posture of his dog Wiki. A Didelphodon skeleton in the hall is mounted in the same pose.

“Wiki was instrumental as a reference source for fur texture and posture in my creation of the image of Tazzie the Didelphodon for the terrestrial Cretaceous mural,” Csotonyi says. Wiki helped Csotonyi capture the begging pose of Tazzie, whose skeleton is mounted in a similar upright posture, holding a clam. “It’s just a happy coincidence that Wiki seems to think she’s a 70-plus million-year-old mammalian mollusk terror!”

IMG_0043
Julius poses in front of his favorite mural in the hall — a Dimetrodon locked in battle. Fifteen of Julius’ creations are on display at our new Hall of Paleontology.

Csotonyi creates his images digitally using both traditional techniques and digital compositing, which makes it easy to make revisions in the event of new scientific evidence.

“There’s a lot less guesswork nowadays,” Csotonyi says. “Muscle placement, even skin textures are known. We have more complete skeletons to work with and can even infer color.”

Our own mummified Triceratops, Lane, is a perfect example of the type of specimen that makes Csotonyi’s job a lot easier. Before Lane’s discovery, there were no Triceratops skin impressions available to give artists an accurate picture of scale formation. Now Lane’s skin has proven that Triceratops had much larger scales than other dinosaurs, and the quality of the specimen means artists can even see specialty structures like knobs and quills.

“The key is to illustrate things as realistically as possible, applying as much known science as possible,” says Csotonyi. “It’s more about accuracy than expression.”

To see more of Csotonyi’s creations, visit the new Hall of Paleontology today!