Last Chance to See Ramesses II and Horemheb! Australian Artifacts Move Home Next Week

by Tom Hardwick and Dirk van Tuerenhout

When the Houston Museum of Natural Science planned our Hall of Ancient Egypt, filling its 11,000 square feet with artifacts was not an easy job. Our own collection of Egyptian material is rather small, and that made looking for long-term loans from other museums a logical — and necessary — choice. We reached out to museums across the world to borrow material to display in Houston.

It was sometimes a bit of a long shot since while asking for a short-term loan (typically three to six months) is standard, asking for a long term loan of several years is a different undertaking altogether.

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Ramesses II

We are extremely grateful that so many museums agreed to lend us some of their wonderful Egyptian objects. As the day of the opening approached, artifacts from museums in North America and Europe started to arrive in Houston. Some came from as far away as Australia. Yes, Australia!

In 2013, two star pieces — a giant granodiorite head of king Ramesses II (between 1280 to 1210 BC) and a bust of a non-royal man from a little earlier — traveled from the Nicholson Museum in Sidney halfway across the world to Houston. Affiliated with the University of Sidney, the Nicholson Museum is Australia’s oldest university museum and home to the largest collection of antiquities in the Southern Hemisphere.

A well known pharaonic face at the end of the columned corridor beckons the visitor

A well known pharaonic face at the end of the columned corridor beckons the visitor.

Ramesses II’s bust, representing one of Egypt best known pharaohs, took up a strategic location in our exhibit. Positioned at the end of a long line of sight, this royal image drew visitors deeper into the exhibit. It symbolized the double role played by Egyptian kings: that of worldly leader as well as representative of Egyptian gods on Earth. Ramesses was not just the king who worshipped the gods; he was also a god himself. For the many people who were denied access to the interiors of temples, colossal statues like the one our head came from (he must have been a good 20 feet when complete) were the only images of the king or the gods they could interact with. No surprise that some colossi were also worshipped as gods in their own right.

The bust of a private man, whom many believe to be Horemheb, the general who took the throne after Tutankhamun’s death, was tucked away in our display of burial in the New Kingdom, where visitors could have a more intimate encounter with him.

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Bust believed to be Horemheb.

All good things come to an end, however, and the Nicholson’s objects will be leaving us next week to go home. Following established museum procedures, a courier from the Nicholson will come to supervise their removal from their cases, will check their condition, and will see them safely crated up for their long journey home.

We’ll be sorry to see them go, but there’s one bonus — for me, at least. During the de-installation, I will get to look at them out of their cases, and in different lights. For Horemheb, this will just be pure pleasure: it’s one of the finest pieces of carving from the period.

For Ramesses, however, I have a mission. Arielle Kozloff, former Curator of Ancient Art at Cleveland, told me that she thought Ramesses’s face might have been re-worked, either before or after his reign. Ramesses was a prolific builder, and often economized by recycling statues of earlier kings. Sometimes Ramesses just put his cartouches (the king’s name, written in an oval ring) over the previous king’s; sometimes he went to the trouble of re-carving the previous owner’s face to harmonise with his own. In cases like these, sweeping a torch over the surface, and (gently) running your hands over the surface, can make you aware of different textures, possibly indicating different tools and different phases of working, that normally escape your notice. I’m not convinced that this is one of Ramesses’s retreads, but this is the perfect opportunity to test Arielle’s theory.

Just as nature abhors a vacuum, curators abhor empty cases: I’ll introduce you later to the objects that have replaced Ramesses and Horemheb. Before they go, though, you have the rest of this week to admire them at HMNS.

Amazing Cakes: Top picks of Party Smarty 2015

by Karen Whitley

Every year we see hundreds of birthday cakes, and we are blown away (candle pun intended) by some of the creations parents bring in! From the cakes that defy gravity to the ones we have to use careful geometry to cut, we are always excited to see what a party brings in. Here’s a look at some of our favorite cakes so far.

Here’s a gorgeous cake to celebrate our butterfly theme. The bees and ladybugs add the perfect touch!

BFC cake

If you have a boy (or girl) more interested in bugs than botany, check out this cake crawling with garden pals.

Insect Cake

For all of you mad scientists out there, here’s a chemistry cake for you.

Chemistry cake

In celebration of our brand new Wildlife theme. You can’t see it, but there are alligators lurking along the edges of this Texas cake!

Texas Cake 2

This stellar Jupiter cake is out of this world!

Jupiter 2

While it’s not one of our themes, Elsa and Anna from Frozen made numerous appearances this year.

Frozen

A fabulous Ancient Egypt cake, complete with flaming torches! Walking like a hieroglyph yet?

Egypt cake

And to round off our Amazing Cakes, here’s a look at some of our favorite dinosaur delicacies!

Dino cake with painted dinos

Jurassic World CakeDino Cake by Gina

Jurassic World Fragile Cakedinosaur cake

And finally our personal favorite here at Party Smarty.

Logo Cake

Is it just me, or is there a resemblance?

smarty logo

If you need help finding cakes as awesome as these for your HMNS birthday party, give us a call! We keep a list of the best places to find cool creations.

Editor’s Note: Karen is the Birthday Party Manager for HMNS Marketing.

Take an #HMNS UNselfie for #GivingTuesday

by Katie Conlan

With our world-class collections, the Houston Museum of Natural Science is a popular place to take selfies. Just search #HMNS on Facebook or Instagram and you’ll find a trove of smiling faces in front of dinosaurs or having close encounters with the resident butterflies! Who wouldn’t want a selfie with a Tyrannosaurus rex lurking threateningly over their shoulder?GT5But this Tuesday, we’re asking you to take an #UNselfie for HMNS, and post it to social media — Instagram, Facebook, Twitter or whatever you prefer (and be sure to include #HMNS in your post). Why? To observe #GivingTuesday, a global philanthropic campaign that encourages charitable giving during the holiday season. In contrast to Black Friday and Cyber Monday, #GivingTuesday is all about the unselfish act of giving back to the organizations that make a difference in your life and your community, and taking yourself out of the picture.GT1By making a charitable donation to HMNS today, no matter the amount, you will make an impact here at your museum. Contributions ensure that HMNS continues to provide exceptional programs, exhibitions, and collections to educate and inspire generations to come.GT2This #GivingTuesday, we encourage you to think about the ways in which HMNS impacts your community. When you donate to the Museum, you’re giving the gift of natural science back to the citizens of Houston and beyond. Donate now!

P.S. Help to spread the word and encourage others to give by sharing on social media using the hashtags #GivingTuesday and #HMNS! Let us know why you support HMNS by taking your own #UNselfie today!

Editor’s Note: Katie is a Development Associate for the Houston Museum of Natural Science.

A Symbol of Culture: Francs Guinéens Paint a Picture of Life in Guinea

by Kaylee Gund

During a recent visit to the Museum’s offsite collections storage, one carving in particular caught my eye — the Nimba (D’mba). After living in Guinea for over a year, I immediately honed in on the familiar polished wood of the Nimba among the other West African pieces.

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The Nimba.

The Nimba is a symbol of feminine power and fertility, carried on someone’s shoulders around the fields to ensure a bountiful harvest. It wasn’t one of the traditions in the region where I lived, but I still saw the Nimba almost every day in my village on the corner of the 5,000 FG (franc guinéen) note.

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The Nimba appears on the corner of a 5,000 FG note.

Among many other traditional symbols, the Nimba has become an expression of national pride, as evidenced by the Guinean bank’s use of it on currency and as its logo. Guinean currency is an interesting mix of national and local identity. Each denomination represents a different culturally distinct region of the country, showing important symbols and economic activities for that region.

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A gold mining operation appears on the back of a 500 FG note, paying homage to the major source of income for the Siguiri prefecture.

Haute Guinée, the eastern plateau, is featured on the 500 FG, complete with an image of gold mining on the back. A major source of income for the Siguiri prefecture, gold mining was also an occasional source of exasperation for schoolteachers, as our students would often leave for months at a time during a gold rush and “cherchent l’or,” or “search for gold.”

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As you’ve probably noticed, the number of zeros behind monetary amounts in Guinea can be a bit intimidating. Pictured above is a whopping 16,600 FG, worth a little over $2 in the U.S.

What can all this money buy?

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Bags of clean drinking water are sold for 500 FG each. Drinking water from the well is ill advised, so this is a worthwhile investment at $0.07.

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At the peak of mango season, everyone has more fruit than they know what to do with. It spoils fast with no refrigeration, so piles of mangoes are sold for 2,000 FG (less than $0.30).

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Prepared food, like this rice with potato leaf sauce, costs between 5,000 and 7,000 FG for a plate (around $1).

So many mundane things require money that it’s easy to forget what an incredible symbol it can be. Guinean currency gives a glimpse into the many traditions of its different regions, and while there is occasionally ethnic strife between groups and the road to democracy is still rocky, the entire nation is unified in using Guinean francs.

Culture is an incredible thing, and we’re lucky enough to have access to a rich treasure trove of it: from Ancient Egypt to the Amazonian rainforest, even the smallest things can hold great significance.

Next time you’re about to spend a dollar, take a look at what’s on it. You might be surprised!

Editor’s Note: Kaylee Gund is in Youth Education Sales at the Houston Museum of Natural Science. During her time in the Peace Corps, Gund was placed in Guinea to teach chemistry in the country’s national language, French.