Miss the belly-dancing and dervish-whirling at World Trekkers: Egypt? Join us Aug. 9 for World Trekkers: France!

If you didn’t make World Trekkers: Egypt last Friday, we hate to break it to you, but you missed out.

World Trekkers: Egypt at HMNSThere were belly dancers, a whirling dervish and TWO congenial camels, named Gunther (above) and Teddy (not pictured). Even our own Director of Social Media and Assistant Director of Public Relations & Marketing tapped into their Arab roots and delighted our younger guests as Cleopatra and King Tut.

 

World Trekkers: Egypt

Gunther was quite the hit with the kiddies.

 

World Trekkers: Egypt

Face painters kept it festive.

 

World Trekkers: Egypt

Belly dancers got hips swiveling.

 

World Trekkers: Egypt at HMNS

Damien and Ernesto from Cat Eyes Makeup Artistry made everyone look like Egyptian royalty.

 

World Trekkers: Egypt

And our brilliant volunteers designed crafts to take home AND teach you something.

 

World Trekkers: Egypt

World Trekkers: Egypt

World Trekkers: Egypt at HMNS

So if you’re feeling a twinge of regret, file that away for now. Just don’t miss our next World Trekkers event Aug. 9, when we indulge our inner Francophile in France!

Emails from the other side: our Museum Mummy reaches out

As the Digital Media Editor, I get a lot of strange emails. Some are from spambots offering awkward praise for our blog. Others are more direct, like “What is a Digital Media Editor even for, anyway?” and “Why isn’t everything free, everywhere, always?”

But the strangest — and most exciting — email I’ve received lately was from none other than Ankh-hap, the Museum Mummy.

You’ve probably run into Ankh-hap in his corner home in the basement, tucked underneath a set of stairs. He’s so far been the star of our meager Egyptian offerings, but all that’s about to change — and he got wind of it.

Here’s what the ruling Museum Mummy had to say:

Emails from the other side...

Before I could even get back to him with an honest neighborhood pedi recommendation, there was more:

Emails from the other side...

It was clear that Ankh-Hap had heard about the new Hall of Ancient Egypt, and I had to craft the perfect tactful response. The correspondence that’s followed has been nothing short of enchanting. Check back here on Mondays this month for more Mummy Mail!

Educator How-To: Deciphering Papyrus with the Egyptian Book of the Dead

Background:

The Book of the Dead, ironically, is not a book at all, but rather a diverse collection of magical spells intended to aid the dead in successfully navigating the complicated and oft tumultuous process of reaching the afterlife.

The bulk of the 200-plus spells discovered to date were created on papyrus, and a few have been found written on the walls of the tomb itself. Of the known spells, most are centered on the idea of making it safely to the afterlife.

All ancient Egyptians desired to safely reach the afterlife. The afterlife, after all, was a real place, and they believed magical spells would help them get there. Prosperous Egyptians would hire professional scribes to record the spells of their choice on fine papyrus sheets. This precious collection of spells was then packed away with their other grave goods, to be placed in their tomb at the time of their burial.

Not to worry, if you were not a “man of means,” so to speak, you could buy spells at the market. Many of the more popular spells were mass produced and could be purchased for a reasonable amount; there was even a space on the papyrus so that the purchaser’s name could be written on the document after purchase. Both the Ba and the Ka, the two aspects of the soul, would need this validation to know the spell belongs to them.

Materials:

Procedure:

  1. Research the Book of the Dead and the Weighing of the Heart Ceremony.
  2. Read the Papyrus from the Book of the Dead of Ani description.
  3. Looking at the picture of the papyrus and using the description, label what each of the lettered items are on the papyrus.
  4. What other judgments stories are the you familiar with?

Papyrus from the Book of the Dead of Ani

The above scene from the Book of the Dead of Ani reads from left to right. At the left, Ani and his wife enter the judgement area. In the center are the scales used for weighing the heart, attended by Anubis, the god of embalming. The process is also observed by Ani’s ba spirit (the human-headed bird), two birth-goddesses and a male figure representing his destiny.

Ani’s heart, represented as the hieroglyph for ‘heart’ (a mammal heart), sits on the left pan of the scales. It is being weighed against a feather, the symbol of Maat, the principle of order, which in this context means ‘what is right’. The ancient Egyptians believed that the heart was the seat of the emotions, the intellect and the character, and thus represented the good or bad aspects of a person’s life. If the heart did not balance out with the feather, then the deceased were condemned to non-existence, and was consumed by the ferocious ‘devourer’, Ammit, the strange beast, part-crocodile, part-lion, and part-hippopotamus, shown at the right of this scene.

However, a papyrus devoted to ensuring the continued existence of the deceased is not likely to depict this happening. Once the judgement is completed, the deceased was declared ‘true of voice’ or ‘justified’, a standard epithet applied to dead individuals in their texts. The whole process is recorded by the ibis-headed deity Thoth. At the top twelve deities supervise the judgement.

R.O. Faulkner, The Ancient Egyptian Book of t, (revised ed. C. A. R. Andrews) (London, The British Museum Press, 1985); R.B. Parkinson and S. Quirke, Papyrus, (Egyptian Bookshelf) (London, The British Museum Press, 1995); S. Quirke and A.J. Spencer, The British Museum book of anc (London, The British Museum Press, 1992); via the British Museum

Field Notes: Why the pyramids of Abydos are the most fascinating in Egypt

Editor’s Note: Peter Lacovara, Senior Curator at Emory University’s Carlos Museum, has worked on numerous expeditions in Egypt and published several books on his work and experience, including The Pyramids and Sphinx, Tombs and Temples of Giza, and Excavating Egypt: Great Discoveries from the Petrie Museum of Egyptology. The first blog in this series can be found here.

For some years, Abydos was a rather difficult place to visit in Egypt, requiring special permission for tourists. Today, the site is a bit more accessible. Though one cannot say that it holds great sightseeing treasures like the Great Pyramids of Giza or the Temples of Luxor, its significance in Egyptian history cannot be questioned.

Many mysteries surround this archaeological site. It was a holy site to the Egyptians, where some of the earliest rulers were probably buried, but it remained a focus of religious activity for thousands of years.

One such mystery surrounds the rubble core and casing stone that marks the remains of the last known royal pyramid built in Egypt, by the founder of the New Kingdom, Ahmose. A textual reference records a pyramid built by Tuthmosis I at Abydos, but nothing of it has ever been discovered.

In 1993, the Pennsylvania-Yale Institute of Fine Arts Expedition, led by Stephen Harvey, began a new survey of this complex, initiating ongoing excavations at and around the pyramid. We visited Stephen in 2002 during his stay at the Hotel Longchamps, a favorite Tour Egypt hotel on Zamalek in Cairo that has also become home for many Egyptologists on their way to their digs. Stephen has since moved on to the University of Chicago’s Oriental Institute, but his excavations continue, and a number of interesting finds have been made.

Ahmose Model GroupIn 2003, the team discovered three new buildings in Abydos. Among their findings were walls and related buildings near another pyramid, engraved bricks with the names of people responsible for the construction of the buildings, fragments of decorated limestone temple reliefs, parts of statues, and small inscribed stone slabs used as part of worship that are known as votive stelae.

The discoveries are part of a collection of documentation that pushes back the date of complex artistic representation of warfare in Egypt. The site has yielded the earliest-known paintings of horses and chariots used in battle, as well as the earliest-known representation of a practice that later became common in battle documentation: paintings of collections of the severed hands of enemies.

But Abydos has other stories to tell, such as those suggesting some women held extraordinary levels of power within their communities.

One of the buildings the team discovered is a temple that was likely dedicated to Ahmose Nefertary, the wife and sister of the Pharaoh Ahmose, who ruled from about 1550 to 1525 B.C. and built Egypt’s last pyramid. The team also excavated at a pyramid dedicated to another important woman, Queen Tetisheri, grandmother of Ahmose and his wife.

Other areas around the pyramid have proved easier to deal with, however. In addition to the temple believed to be dedicated to Ahmose Nefertary, the team also found another temple. They also will excavate a large structure that measures 115 by 130 feet, and which may have been an administrative or production center for a cult that developed around Ahmose, who was considered a god.

 Located near what is thought to have been a bakery, this administration building may provide clues that underscore one of the sites fundamental values: it contains structures that are part of a working community. Scholars will learn what role the temple played in the economy and social organization of the community.

Hence, the Pyramid complex of Ahmose at Abydos, located at the junction between the low desert and the floodplain, not only includes a temple, but also a large, unfinished rock-cut tomb far out in the desert, and beyond that, at the foot of the cliffs, a stone and brick-walled platform probably intended to support a building which appears never to have been constructed. About halfway between the pyramid and tomb is the brick shrine dedicated to Ahmose’s grandmother, Tetisheri, where a stela that recorded Ahmose’s decision to build a shrine for her was found.

Really, of all the pyramids built in Egypt, that of Ahmose at Abydos is one of the most intriguing.

It signals the end of the Pyramid Age and to some extent, a changing of the guards in funerary practices. The earliest pyramids were focused on the sun god, Re, but even prior to Ahmose, the mythology surrounding the funerary god, Osiris, was being incorporated into the substructures of the later pyramids. By building his complex at Abydos, Ahmose certainly intended to associate his mortuary cult more directly with Osiris. After Ahmose, the kings of Egypt would, for the most part, completely abandon the pyramid structure.

However, Ahmose’s predecessors in the 17th Dynasty (Second Intermediate Period) were buried under similarly steeply angled, though much smaller, pyramids. Dr. Harvey suggests that Ahmose’s pyramid was intended to evoke a memory of the powerful national rulers of earlier periods, and hence reinforce his legitimacy as their heir. Given the substantial size of Ahmose’s pyramid, this is an attractive suggestion. Clearly, during the future excavations by Harvey’s team, the complex will offer up many interesting finds and advance our knowledge of the founding of Egypt’s New Kingdom empire period.