About Jennifer

Jennifer is the Divisional Merchandise Manager for the Museum Stores.

Summer Trunk Shows: A Touch of Sparkle from Lankford and Tummino

One of our favorite things about summer has arrived — Summer Trunk Shows! This year we’re keeping it simple and local, featuring Rebecca Lankford July 22 and Mirta Tummino on Aug. 5, both from 12 to 4 p.m.


Locally-renowned Houston artist Rebecca Lankford uses hand-cast metals, fine leathers, and a casual take on precious and semi-precious gems to create effortlessly stylish jewels. Her delicate styles are perfect alone and for layering and stacking.

Rebecca has also created an exclusive museum collection for HMNS using gems hand-picked by our buyers. Each piece is one-of-a-kind or limited in production.




Leaving corporate America behind, native Texan Mirta Tummino realized her true calling when she began designing jewelry. With an eye for color, Mirta combines unusual gemstones to create her signature wire-wrapped designs.


If that alone doesn’t convince you to attend our trunk show here are three reasons why you should:

1. Locally-made, handcrafted jewelry. Handmade pieces make unique gifts for others or yourself, all while supporting local artists.

2. A chance to meet the designer and team. Learn all about the gems, materials, and the creative process directly from the artist. Rebecca and Mirta are both inspired by the museum’s gem and mineral collection.

3. Jewelry with savings! Shop with a 20 percent discount in addition to your membership discount. Feel good about looking great knowing that 100 percent of museum store and trunk show proceeds benefits HMNS’s educational programs.

Behind the Scenes: Retablos Fit for an Icon

When you walk into the museum store, you may notice the elaborate display wall at the entrance. Here’s a behind-the-scenes look with our Creative Merchandising Director on how it all comes together.

This season’s display is a tribute to Mexican arts and culture and features a life-sized retablo complete with a Catrina figurine. My inspiration were the detailed nichos, or retablos, that are such a central part of Latin American folk art. These retablos are usually under 12 or 18 inches in height but I wanted to create a seven-foot-tall reproduction. 

Starting with a metal wedding arch I found at the local party supply, I wired a support cage along the back and sides of the arch. Foam core cut to size was wired onto the side to create the retablo doors. Then the real work began: covering the structure with a few hundred giant paper flowers!


Each of these flowers was made by hand, and I gave countless lessons to curious patrons on how to make them. Here’s what you do:

Take five sheets of tissue paper. Starting from the short side, accordion pleat into three to four-inch folds down the length of the tissue. Fold the pleated paper in half and twist a pipe cleaner around the center to hold the folds in place. Cut each end of the folded paper in a rounded shape to create your petals. Open up the folds and very gently, starting from the top sheet, pull each sheet of tissue toward the center pipe cleaner.

flower pile

The flowers were tied onto the arch, inside and out, and paper roses hot-glued to the doors. Next, I had to create our Catrina.


La Catrina is a popular figure on El Día de los Muertos. Originally a turn-of-the-century political cartoon by illustrator José Guadalupe Posada, La Catrina was popularized by artist Diego Rivera. Rivera’s famous mural Sueño de una Tarde Dominical en la Alameda Central prominently features La Catrina between Posada, a young Rivera, and Rivera’s wife Frida Kahlo. The mural is a visual commentary on the history of Mexico with La Catrina representing that all are equal in the face of death.

Using an old mannequin from our Exhibits department, I spray-painted it bright red and then painted on a traditional calavera face.



 I wanted our Catrina to reference artist and cultural icon Frida Kahlo and acknowledge her contributions to La Catrina’s popularity as well as Kahlo’s dedication to Mexican heritage. A rose headdress and Oaxacan blouse, similar to the huipil Kahlo was known for wearing, were added along with a white petticoat that resembles the Tehuana skirts she favored.


The final piece of clothing is a very special item. This ornate, heavy overskirt belongs to a local los matachines dancer. With roots in both Medieval Europe and Native American dance, los matachines dance on important feast days with Dec. 12, the feast day of La Virgen de Guadalupe, being one of the most important. Our dancer was not able to perform this holiday and generously loaned us her costume.

los matachines

Finishing up the display wall involved climbing up 20 feet to hang more flower pompoms from the ceiling and adding folk art pieces to the wall.



Our six-foot-tall papier maché skeleton guards the jewelry and retablos in the wall cases.



Though a challenging project, this display is one of my favorites. Thank you to everyone who stopped by to ask questions while I was working out there. I enjoyed getting the chance to talk about our beautiful and moving exhibit on the Virgin. And it’s the proceeds from the museum store that make it possible for the Houston Museum of Natural Science to develop these exhibits, so we are always grateful for your support and patronage.


HMNS Winter Trend Report: La Virgen de Guadalupe

Sourcing product for special exhibits is one of the favorite things about my job, but as a lover of Mexican art and culture, La Virgen de Guadalupe: Empress of the Americas has been especially fun.

This summer, we traveled to Mexico City and met with officials at the Basilica of Our Lady of Guadalupe. The ancient basilica and chapels are beautiful, and seeing the art, both fine and folk, in context punctuated how meaningful the Virgin has been to so many lives and how integral she is to the culture.


Capilla del Pocito – Chapel of the Little Well.

With this in mind, we met with the Basilica’s retail director and chose some very special items to bring to the museum’s store. These rose petal rosaries made by nuns are deeply scented.


Scented rosaries made by nuns.

Our talented Creative Director, Kim Bloedorn, designed our beautiful souvenirs including mugs, refrigerator magnets, 3D postcards, bookmarks and more, featuring Her image surrounded by roses.

trend 3

Graphic design by HMNS Creative Director Kim Bloedorn.

Rising young artist Felipe Gonzalez Aguilera, AKA Ferguz, is rapidly gaining a reputation for his sensitive portraiture of iconic figures. One of Ferguz’s compelling paintings of the Virgin will be in the exhibit on loan from a private collector. We had the opportunity to visit the artist in his studio and were able to commission some paintings the he created especially for the store. The photos do not do justice to the delicate colors and brushstrokes.


Fine art by Felipe Gonzalez Aguilera, AKA Ferguz.

Mexico is known for its vibrant folk art and traditional craftwork. Detailed, hand-painted and punched tin nichos from San Miguel de Allende highlight images of the Virgin.


Nicho by San Miguel de Allende.

Traditional, brightly-embroidered blouses are from artisans in Oaxaca, Puebla, and Hidalgo.


Itzel white blouse.

Weaving has been a part of the culture and livelihood of the Zapotec people since about 5000 B.C. The Spanish conquest introduced wool fiber and the standing loom and the weaving process and designs have changed little to this day. Ancient art meets contemporary design in these handmade purses.


Zapotec tote.

Closer to home, I worked with local designer Rebecca Lankford to create a series of rosary-inspired necklaces. Rebecca’s faith is a large influence on her work and she was delighted to create jewelry that references how religion and design have been intertwined since humans first created art.


Ruby rosary necklace by Rebecca Lankford.

We have more handicrafts, souvenirs and art available in-store and online at museumstore.hmns.org. All proceeds from store sales go back to the museum and enable us to create these unique exhibits and educational programs.

The Art of the Skull: Museum Store highlights the beauty of the human skeleton

One of the most photographed pieces in the museum’s collections is the “jaw dropping” crystal quartz skull in the exhibit Gemstone Carvings: Masterworks by Harold Van Pelt.  The hollow, life-sized skull with articulated jaw, was carved from a single block of rare izoklakeite quartz.


Harold van Pelt’s quartz skull.

Our fascination with human skulls spans cultures and eras. From the Neolithic plaster-covered skulls of Jericho, the ornate Buddhist kapala skull cups, European vanitas morality paintings, Mexico’s Dia de los Muertos festivals, and all the way up to modern works of art from people like Damien Hirst, the skull represents our views about mortality and humanity.


Vanitas Still Life. 1648, Jan Jansz. Treck.


Click photo to open ShopHMNS Instagram.

The European Enlightenment period led to an interest in natural history, anatomy, and archaeology, and gentlemen’s cabinets of curiosities often included a collection of skulls, both animal and human. While these early wunderkammer were more about collecting the unusual and “wonderful” rather than scholarly study, they were the precursor to our modern natural history museums.


Click photo to see product in the Museum Store.


Click photo to open ShopHMNS Instagram.

Here in the Museum Store, we’re still fascinated with collecting skull art and imagery. One of our favorite items is the intricately beaded skull necklaces from local artist team Brassthread. Inspired by Huichol beadwork and Dia de los Muertos folk art, the tiny handmade skull is painstakingly set with miniscule beads in an intricate pattern.


While not an original Van Pelt carving, this labradorite skull was hand carved in Madagascar from a solid block of labradorite, and flashes light and rich colors from different angles.



Reminiscent of momento mori and Victorian headstone carvings, f. is for frank’s cast pewter skull ring is the work of Texas sculptors Shoshannah Frank and Casey Melton.


Our newest artist is Ashley Lyons of New Orlean’s Porter Lyons. Her Voodoo collection pays homage to the history and customs behind the religion that was so much a part of New Orleans Creole culture. Her Baron Samedi earrings reference the loa who is the spirit of both death and resurrection.


There is beauty and art in science, as shown by x-ray artist Hugh Turvey. Turvey uses industrial x-rays to photograph not just skeletons, but also the “bones” of everyday objects. Designer Michael Revil Madjus also captures the beauty of the human skull with his x-ray pillow.


We love to see the natural world transformed into art, so even if skulls and skeletons aren’t your thing, we have intriguing items from a wide range of artists and designers, both in store and online at museumstore.hmns.org. And 100% of store proceeds benefits the museum and its educational programming. #ChillsAtHMNS