Whip your brain into shape this summer at HMNS’ Aramco Science Fair Boot Camp

Are you tired of scrambling at the last minute to complete your science fair project? Is your kitchen a mess annually due to thrown-together experiments and faux lava gone rogue? Now’s your chance to fare better at the Science Fair, thanks to the HMNS Aramco Science Fair Boot Camp.

Aramco Science Fair Boot Camp at HMNS

Offered to children ages 13 through 17, attendees use museum exhibits and collections to investigate science’s most looming questions, collect data, hypothesize and draw conclusions. From exploring insect behaviors to climate conditions in the Cockrell Butterfly Center to collecting fossils and identifying adaptations in the Morian Hall of Paleontology to inventing energy solutions in the Wiess Energy Hall, students will interact with our expert curators and review their proposed science fair projects.

Registrants will have their entrance fee to the 2014 Houston Regional Science and Engineering Fair covered.

There are only 120 spots open between July 8 and July 29, so book your spot on the double! Click here for a full class schedule and more details.

Distinguished Lecture: Merge art and science in an exclusive Giant Screen showing of Chasing Ice

The Extreme Ice Survey merges art and science to give a “visual voice” to Earth’s changing ecosystems. Extreme Ice Survey imagery preserves a visual legacy, providing a unique baseline — useful in years, decades and even centuries to come — for revealing how climate change and other human activity impacts our air, water, forests and wildlife.

Chasing IceEIS field assistant Adam LeWinter on NE rim of Birthday Canyon, atop feature called “Moab.” Greenland Ice Sheet, July 2009. Black deposit in bottom of channel is cryoconite. Birthday Canyon is approximately 150 feet deep.

One aspect of Extreme Ice Survey’s work is a portfolio of single-frame photographs celebrating the beauty, art and architecture of ice. The other aspect of the survey is time-lapse photography. Currently, 27 cameras are deployed at 18 glaciers in Greenland, Iceland, the Nepalese Himalaya at Mount Everest, Alaska and the U.S. Rocky Mountains. These cameras record changes in the glaciers every half hour of daylight year round, yielding approximately 8,500 frames per camera per year. The time-lapse images are then edited into stunning videos that reveal how fast climate change is transforming large regions of the planet.

You can witness the hauntingly beautiful videos that compress years into seconds and capture ancient mountains of ice in motion as they disappear at a breathtaking rate in the film Chasing Ice. The vivid images of the majestic ice caps slowly melting away are set to an Academy-Award nominated soundtrack featuring Scarlett Johansson.

Chasing IceLeWinter ice climbing in Survey Canyon, Greenland

Chasing Ice features geologist, mountaineer and award-winning photographer James Balog, who is director of the Extreme Ice Survey and founder of Earth Vision Trust.

Join oceanography and climate change researcher Dr. John B. Anderson of Rice University for a one-night-only screening of Chasing Ice at the Houston Museum of Natural Science on June 18 at 6:30 p.m. This is the only digital, giant-screen showing of Chasing Ice in Houston.

WHAT: HMNS Film Screening of Chasing Ice
WHEN: Tuesday, June 18, 6:30 p.m.
HOW MUCH: Tickets $18, HMNS Members $12

Click here for advance tickets.

The road to self-sufficiency: How cities are transitioning to renewable energy — and how Houston can, too

What would it take to go all renewable?

What would it take to use exclusively renewable energy resources? What would you have to add to or take away from your home? How would your life change? For most of my energy entries, I’ve talked about conservation at the individual level. That’s because I know we can make changes in what we do and how we view the world. However, it is always heartening to see large groups take up the challenge. And while a nation should have a plan, unless its citizens are behind it, it will never work.

That’s why I’m glad to report on some cities and regions that have made a plan to go to 100-precent renewable energy or beyond.

The District of Rhein-Hunsrück in Germany has a population of about 100,000. It uses a combination of wind, solar, and bio mass to produce 100-percent renewable energy for its area.

For most, that would be a good place to stop. But it has plans to increase renewable energy production to 828 percent of their needs by 2050 so it can export the energy to its  neighbors. (Well done!)

In the 1990s, it decided that it would take the money it used to import energy and invest it locally to become energy exporters. Its first step was energy conservation. Just by doing some energy conservation in its buildings, it was able to cut heating needs by 25 percent (something that is very energy-intensive in places that have weather other than “hot”).

German wind power

The city of Dardesheim, also in Germany, uses solar panels, wind turbines, and biomass to produce 40 times as much energy as it uses. How did it do this? Back in the 1990s (it takes time) the community decided on a shared vision to create jobs and eliminate the importation of energy. While it only has a population of 1,000 (100 times smaller than  Rhein-Hunsrück), it created a vision and made a plan.

And it isn’t only cities in Germany that are coming up with a renewable and sustainable path for their energy future.

For example, it’s expensive to import oil to the Island of El Hierro, off the northern coast of Africa. To replace the oil it uses to generate electricity, it will move to a combination of wind, hydro, and solar power. With any excess wind energy, it’ll be able to pump water uphill into an inactive volcano crater. This gives it a little energy storage. This will let the 10,000 people who live on the island save 40,000 barrels of oil a year.

But what about a little closer to home?

In 2007 San José, Calif., pledged to become a renewable-powered city by 2022. It was the first large city in the United States (around 1 million in population) to make such a pledge. Its plan had 10 points (not 12). It also has a website where you can view its progress. While it has had the most progress in diverting trash from landfills to waste to energy plants, it has made the least progress is in planting new trees. Fortunately, that’s fairly easy to do.

But what about Houston? What is Houston doing?

Houston is becoming greener in leaps and bounds. Houston has been granted a number of awards and distinctions for its green programing, such as being named one of the top 25 solar cities by the Department of Energy, the Green Power Leadership award from the Environmental Protection Agency, and the Best Workplace for Commuters award from the Houston-Galveston Area Council, with the EPA and the Department of Transportation.

Sure, while it’s good to toot our own horns, we should not rest on our laurels. There is an initiative (and funding) to help income-qualified Houstonians weatherize their homes. We have free, regular electronic recycling and paper shredding programs to reduce waste. While Houston is making strides, we should remember not to be too self-satisfied with what we’ve done.  Rather, we should dream bigger and dare more boldly.

What should Houston do next?

Was Peter Carl Fabergé the ultimate craftsmen or the ultimate copycat?

Every artist seeks inspiration, and this was certainly true for Carl Fabergé. After attending the Fabergé Symposium in January of this year and listening to his great-granddaughter, Tatiana Fabergé, speak, I was initially surprised by what she was showing us. However, once I considered the artist that was Fabergé, her presentation came into clear focus.

Tatiana presented various screen shots of objects found in Dresden, Germany, as well as work completed by Fabergé. What was so shocking, you might ask? It was the eerie similarities of older, famous items to renowned Fabergé pieces. These works of art, side by side, were almost identical. Although to be fair (or maybe a bit biased) the Fabergé pieces were just a little more beautiful.

My first shocking thought was that Fabergé might have made a job out of creating replicas. However, after continued study of the objects in the presentation, I began to see what was unique to Fabergé. It became evident that he did not steal designs; he was inspired by them and created something even more beautiful and, in some cases, more functional. Like any good artist, Fabergé sought inspiration outside of his own sphere, using what he found to create stunning, unique pieces.

Tatiana went on to explain that her great-grandfather had been sent around the world to study the best types of jewelry-making and goldsmithing. However, it was when his family moved to Dresden that Fabergé would find significant inspiration. The city had treasures of baroque art that could stir the imagination of a young artist. One piece Fabergé studied that is of interest to us in particular was a cup made of rhinoceros horn, held by an oriental figure. The Houston Museum of Natural Science, with gratitude to the McFerrin Collection, has the honor of displaying the object that was created from this inspiration.

Faberge's Dresden Inspiration

This particular statuette, a near replica, is made of nephrite and smoked topaz with pearls and small precious stones. It was shown in the 1893 Fabergé Moscow catalog and sold for 4,000 rubles, the same amount the Russian Royal Family paid for a single Imperial Easter Egg. It is uniquely Fabergé, yet German baroque art as well.

Faberge's Dresden Inspiration

Visit the Houston Museum of Natural Science’s Fabergé: A Brilliant Vision to see this object among others that Fabergé sought to create in his own style.