Quanah Parker: Part 2

Quanah Parker was an important Comanche chief, a leader in the Native American Church, and the last leader of the powerful Quahadi band before they surrendered their battle of the Great Plains.  With five wives and 25 children, Quanah had numerous descendants. Many people in Texas and Oklahoma claim him as an ancestor. S.C. Gwynne recently published a book on Quanah Parker, and is giving a lecture on him at the museum on April 5. Here is part 2 of my blog on Quanah Parker. If you missed the first part, don’t worry, just click here to read it.

Quanah grew up to be a full warrior by the time he was fifteen years old, when he led a raid to steal horses in the San Antonio area. His reputation grew when, on his second raid, he was intercepted by a company of U.S. Army cavalry. Instead of taking off, Quanah confronted his assailants and managed to steal the cavalry’s sixty mules (Gwynne 2010: 199-201).

These were the years during which the Civil War raged further east. While there were no large scale military encounters in this part of the US, the Civil War did affect the frontier area by siphoning off manpower and money. This left the border wide open to Comanche raids once more (Gwynne 2010:210).

Over time, Comanche raiding changed in nature. Instead of being primarily aimed at stealing horses, these raids became the 19th century equivalent of what would be called political terrorism today: their goal was to roll back the frontier. There was good evidence that this tactic was working (Gwynne 2010: 202). In addition, Quanah retained a burning desire to avenge his father’s death and his mother’s abduction (Gwynne 2010: 202).

After the Civil War, things did not improve. Comanches engaged in cattle raids, which they ended up selling to the army in return for guns and ammunition, to be used in later raids (Gwynne 2010: 223).

In 1868, Quanah took part in a raid that went into Mexico. However, by then the traditional Comanche lifestyle of hunting buffalo and raiding had become a whole lot more difficult. A line of forts had been built in Texas along the San Antonio – El Paso Trail (Gwynne 2010:201). These forts, built by the US after the 1848 Treaty of Guadalupe Hidalgo were intended to protect Mexico from raids across the new international border by the Indian tribes of the North. This certainly included the Comanches. One of the men posted to these forts was US Army captain Ranald Slidell MacKenzie (Gwynne 2010: 238).

Ranald Slidell MacKenzie
Image from Wikipedia

In 1871, President Grant placed MacKenzie in command of the Fourth Cavalry on the frontier, placing him squarely in the path of Comanche war parties (Gwynne 2010: 238). This set the stage for the Battle of Blanco Canyon.

MacKenzie’s force consisted of six hundred men and twenty-five Tonkawa scouts. This was the largest force ever assembled against the Comanches to that date (Gwynne 2010:242). True to form, Quanah Parker attacked the force the night of October 10, 1871. He managed to run off some – but not all – of the horses. Still, sixty-six soldiers who had lost their horses were forced to march back east to their supply camp. The rest of the troops continued their search for their attackers. The next day, October 11, they did just that and more. They stumbled across the main body of the Quahadi band, to which Quanah Parker belonged (Gwynne 2010: 243). The Battle of Blanco Canyon had begun.

Blanco Canyon, in Crosby County, Texas, as it looked in 2009
Image from Wikipedia

Traditional Comanche tactics, especially when defending women and children, was for the warriors to face their attackers, buying time for their families to escape. This Quanah Parker and his warriors did. The odds definitely favored the attackers. MacKenzie outnumbered the Comanche warriors, and they were equipped with superior weapons. Quanah Parker and his fellow warriors, on the other hand, had to secure the safety of the entire band, consisting of several hundred lodges. There were large numbers of women and children to be moved out of harm’s way, as were tons of equipment, provisions and supplies, about three thousand horses and mules, as well as cattle and dogs. It seemed like an impossible task to hide them on the open plains, but that is exactly what they did (Gwynne 2010:245).

MacKenzie deployed his trackers, but the band disappeared in the canyons carved by the Brazos river east of the present city of Lubbock. For two days, the Comanche band marched and doubled back, leaving false trails heading in all kinds of directions. The pursuers, new to this part of the country were lost. Finally, mother nature came to the rescue. When at one point, the tribe was sighted and the Anglo force started to gain ground on them, a “blue-norther” roared in. In the face of snow, sleet and winds blowing up to fifty miles per hour, the Fourth Cavalry broke of its pursuit, and the Comanche vanished in the darkness (Gwynne 2010:248).

A blue norther heading toward Landergin Mesa.
Such storms can take a nice warm day and turn it cold, wet, and blustery in a matter of minutes,
a fact well known to anyone who has lived in the Texas Panhandle.
Photo by Rolla Shaller. Image courtesy of Texas Beyond History, Texas Archeological Research Laboratory,
University of Texas at Austin. Photo from Texasbeyondhistory.net

While a success in the short run, the Battle of Blanco Canyon marked the beginning of the end for the Comanche who still roamed the Plains freely. Within a few years, most would be dead, and the survivors forced to relocate to reservations.

Make sure you check out S.C. Gwynne’s lecture on the Comanche on April 5, 2011 at the museum.

The museum’s Plains Indian collection is quite extensive; at its core is the Gordon W. Smith collection, which the museum acquired in 2008. For more information, see here.

Anyone interested in the history of Texas, and its close connection to the history of the Comanches, check out our exhibit on Texas!, on display now at the museum.

Check back next week for the conclusion of the blogs on Quanah Parker.

Kid’s Reading List! Texas Tales

To complement our new Texas! exhibition, we have created a book list for you and your kids to read. In today’s blog we talk about two books by Tomie dePaola.

Few American artists are more beloved than Tomie dePaola.   Tomie and his work have been recognized with the Caldecott Honor Award (awarded annually to the most outstanding picture book for children), the Newbery Honor Award (awarded annually to the most distinguished contribution to American literature for children) and the New Hampshire Governor’s Arts Award of Living Treasure.  And few elementary school picture books have been read by more students than dePaola’s Legend of the Bluebonnet and Legend of the Indian Paintbrush.  dePaola’s simple drawings and the unique messages his books convey make them popular with teachers and parents, too.

De Paola wrote the Legend of the Bluebonnet twenty-eight years ago, but the story is as special now as when it was written.  She-Who-Is-Alone is a Comanche Indian living in Texas many years ago.  She is called She-Who-Is-Alone because everyone else in her family had died because of the drought.

In hope of breaking the drought, the tribe’s leaders said that the Great Spirit wanted tribe members to sacrifice their most prized possession.  She-Who-Is-Alone only had one possession, a doll her grandmother had made from buffalo skin.  The face was decorated with the juice of berries, and beautiful blue flowers were on her head.  The doll was all she has left of her family.

Creative Commons License photo credit: ruthieonart

In the night She-Who-Is-Alone slowly crept to the fire and threw her most prized possession into the flames.  When the ashes grew cold She-Who-Is-Alone threw them into the wind.  In the morning she could not believe what she was seeing. The hills were covered with beautiful blue flowers—the same color blue as the doll’s feathers.

Soon it started to rain and the drought was broken.  The tribe members changed She-Who-Is-Alone’s name to One-Who-Dearly-Loves-Her-People, and every spring the bluebonnets bloom to remind us of the sacrifice of one special young girl.

Little Gopher is the central character in the Legend of the Indian Paintbrush. Unlike the other boys, Little Gopher did not like to run, ride and play; his special talent was painting.  When he went to the hills to contemplate becoming a man, Little Gopher had a dream.  The vision told him to find a white buckskin and keep it.  One day he would paint a picture “that is as pure as the colors in the evening sky.”

Indian Paintbrush Washington Cascades
Creative Commons License photo credit: B Mully

Although he found the buckskin, Little Gopher could not find the right colors. However, one night a voice told him to go on top of a hill the next day at sunset. The voice said, “Because you have been faithful to the People and to your true gift, you shall find the colors you are seeking.” The next evening, Little Gopher found paintbrushes the colors of the sunset all over the hill, and he painted his masterpiece. When he returned to his tribe, Little Gopher left the paintbrushes behind.

The next morning the paintbrushes were all over the hills and had turned into beautiful flowers.  Little Gopher became known as “He-Who-Brought-the-Sunset-to-the-Earth.”  Being true to yourself and using the talents you have been given are wonderful messages for children.

Hopefully, all Texas children will become familiar with The Legend of the Bluebonnet and The Legend of the Indian Paintbrush and want to learn more about the stories unique to our state. With a state as big as Texas, there is so much to learn, and a great place to begin is at HMNS’ new exhibit, Texas! the exhibition, open now.

Flickr Photo of the Month: Sam Houston! [March 2011]

Sam Houston
Sam Houston by Yankee In Texas on Flickr.
Posted here with permission.

There are some amazing photographers that wander the halls of HMNS, and when we’re lucky, they share what they capture in our HMNS Flickr pool. Each month, we share one of these photos here on the blog.

This month, a dramatic image of the Sam Houston statue by Yankee In Texas calls to mind the dramatic exhibition that’s just debuted: Texas! The Exhibition features the events, artifacts and icons of centuries of Texas’ epic history – including many items associated with the big man himself.

The significance of Sam Houston is a point not lost on the photographer. In their words:

I don’t really have much to say about the photo itself. When I took it I was just beginning to learn some of the finer points of art photography. I had given up filling the roll at this point (I still had 5 frames to go on a roll of 30) when I saw the sun just behind the head of Sam Houston. I decided to use this opportunity to try my hand at silhuouette work, so I completed the roll. I was surprised myself at the result.

Houston was one of the founding fathers of Texas, and while he does get credit for his contributions to the founding of Texas, he is often lost in the shadow of William Travis and Stephen F. Austin. Upon reflection, this picture helps give Sam Houston some of the spotlight he deserves in forging a new nation and subsequently the largest state in the United States of America.

Inspired? Most of the Museum’s permanent galleries are open for photography, and we’d love for you to share your shots with us on Flickr, Facebook or Twitter. Check out the HMNS photo policy for guidelines.

Flickr Meetup! Photography is not allowed in the Texas exhibition during general hours – but we will be hosting a special opportunity for Flickr photographers on Sunday, April 10. Get the details.

Quanah Parker

Quanah Parker was an important Comanche chief, a leader in the Native American Church, and the last leader of the powerful Quahadi band before they surrendered their battle of the Great Plains.  With five wives and 25 children, Quanah had numerous descendants. Many people in Texas and Oklahoma claim him as an ancestor. S.C. Gwynne recently published a book on Quanah Parker, and is giving a lecture on him at the museum on April 5. Here is part 1 of my blog on Quanah Parker.

Sometime in 1848, a baby boy was born in a tipi near the Wichita Mountains in what is now southwestern Oklahoma. His name was Quanah Parker. His mother, Cynthia Ann Parker, had been abducted by Comanche raiders in 1836. His father, Peta Nocona, was a powerful war chief of the Quahadi band, one of five bands that made up the Comanche nation. The Quahadi roamed the headstreams of the Colorado, Brazos and Red Rivers in Northwest Texas.

Quanah Parker. Photographed by Lanney.
National Archives Photo - ARC ID # 530911

This is Quanah’s story, and that of his people, both the Comanche and the Anglo settlers in Texas. It is based on a book by S. C. Gwynne, entitled Empire of the Summer Moon. An in-depth interview with the author, conducted in the summer of 2010 can be heard here.

Over the last four centuries, the Comanche nation in general and Quanah Parker in particular exerted a huge influence on the history of the Plains, providing answers to questions such as:

• Why were the East and West Coasts settled by people of European descent before the central portion of North America?
• What are the roots of Texas’ history?
• When, why and how did the Texas Rangers come into being?
• What is the story behind the five shot Colt revolvers?

When the Spanish arrived in the Americas, they re-introduced horses, long gone from this part of the world. They also brought with them firearms. This combination of horse and firepower created profound changes in North American Indian societies. The first known herd of horses to arrive in what is now the United States was brought in with Don Juan de Oñate in 1598. It did not take long before the Apaches mastered horse riding. This made them better hunters and gave them much greater mobility as raiders of agricultural settlements in New Mexico. Those raids started as early as the 1650s. It was a way of life that would culminate in the life of Geronimo. From then on, horses were the principal form of wealth on the Plains.

The Comanches were one of the first Plains Indian Nations to obtain horses. They became America’s most accomplished horsemen.

George Catlin commented on their prowess in the following way:

“Amongst their feats of riding there is one that has astonished me more than anything of the kind I have ever seen or expect to see in my life: – a stratagem of war, learned and practiced by every young man in the tribe; by which he is able to drop his body on the side of his horse at the instant he is passing, effectively screened from his enemies’ weapons, as he lays in a horizontal position behind the body of his horse, with his heel hanging over the horse’s back… in this wonderful condition, he will hang whilst his horse is at fullest speed, carrying with him his bow and shield and also his long lance 14 feet in length.”

Here is how Catlin illustrated this:

Comanche Feats of Horsemanship, George Catlin 1834-1835.
Smithsonian American Art Museum,  Gift of Mrs. Joseph Harrison, Jr.

In 1836 the world of the Comanches and that of Anglo settlers clashed at Fort Parker. The Parker family had moved from Illinois to Texas in 1833 and settled on land granted to them by Mexico. By 1835, on the eve of Texas’ independence, about two dozen people representing six Parker families had built a one-acre fort, located about two miles (3 km) west of present-day Groesbeck.

Fort Parker. Image courtesy of Texsbeyondhistory.net

This fort was situated on the western edge of the frontier. There were no Anglo settlements to the west. Gwynne notes:

“Between Parker’s Fort and Mexican California stood Santa Fe and the small, scattered settlements of New Mexico. [T]he fort was so far beyond the ordinary line of settlements that there were hardly any people behind it either. [Emphasis his]) (Gwynne 2010:14).

At this point in time, Texas was the only place where whites and Plains Indians met. Oklahoma was a place where the tribes of the South and the middle-Atlantic states were forcibly relocated to. North of Oklahoma, part of what would become Kansas, Nebraska and the Dakotas had not been reached yet by white settlers.

On May 19, 1836, a band of about 100 Comanche Indians rode up to the fort. They attacked the fort, killing five of its occupants before riding off with two women and three children. Among the children was nine year old Cynthia Ann. The survivors struggled to make it Fort Houston, near modern-day Palestine, Texas (Gwynne 2010:18).

Cynthia Ann survived, and was treated comparatively humanely, possibly because of the presence of a warrior by the name of Peta Nocona. He would later become her husband and war chief (Gwynne 2010:37).

Attempts on the part of her family to locate Cynthia Ann were unsuccessful. However, Leonard H. Williams, an Indian agent dispatched by the US government in 1846 did manage to find her in what is now Oklahoma. His attempt to purchase her freedom met with refusal from the tribe and Cynthia Ann’s as well (Gwynne 2010:107-108).

Quanah Parker was born two years later, the oldest of three children. As son of a powerful war chief, Quanah led a privileged life growing up among the Comanches. All this changed when he was twelve. In 1860, Peta Nocona led a bloody raid against the frontier. This resulted in the abandonment of hundreds of farms in the area, but also the raising of a posse by a man named Charles Goodnight (Gwynne 2010:173).

Charles Goodnight,
Picture from Wikipedia.

Goodnight tracked Nocona and his fellow raiders, as well as the 150 horses they had stolen. He followed them to a village well inside Comanche territory. Realizing that they were outnumbered the posse returned and organized a full-scale expedition against the village. Forty Rangers, twenty-one army soldiers and about seventy local volunteers left Fort Belknap on December 13, 1860. They were commanded by Sul Ross, at age twenty three already a veteran of the conflict with the Indians (Gwynne 2010:174). Six days later, they reached the village and attacked. Most of the warriors were killed, as were some of the women.

The battle ended with a brief running fight: Ross and another soldier pursued three Indians who had fled on horses. In the ensuing fight, one of the fleeing Indians was killed. He was later identified as Peta Nocona (Gwynne 2010: 177). The others were Cynthia Ann and a child, the son of another white girl who had been abducted by the Comanches and married an Indian (Gwynne 2010:178).

During the attack, Cynthia’s two sons, Quanah and “Grassnut” were separated from their mother. They would never see her again. Cynthia was taken back to Fort Belknap, much against her will. There she recounted her story. Eventually, she was moved from one family member to another but she never quite re-adjusted to Anglo society (Gwynne 2010: 181-193).

The two brothers not only escaped, but managed to make it to a Comanche camp some 100 miles west (Gwynne 2010:195). Quanah’s social status completely changed. He was now an orphan, his father killed, and his mother taken by the army. Moreover, within a year or so, his brother also died. At age 13, Quanah Parker had to stand up for himself, often being treated more cruelly than other orphans on account of his white blood (Gwynne 2010: 199).

Make sure you check out S.C. Gwynne’s lecture on the Comanche on April 5, 2011 at the museum.

The museum’s Plains Indian collection is quite extensive; at its core is the Gordon W. Smith collection, which the museum acquired in 2008. For more information, see here.

Anyone interested in the history of Texas, and its close connection to the history of the Comanches, check out our exhibit on Texas!, on display now at the museum.

Check back next week to learn more about Quanah Parker.